The Panel

This is the panel.
They are some of the leading thinkers, designers, artists, and creative directors.
They know what they’re talking about.
They will select one design a week to be featured in the gallery.
They will also pick one of the two overall winners.
They are the people you need to impress.

Chris Lee

Founder and Managing Director, Microzine

BIO.

In November 2003, Chris Lee launched Microzine, a revolutionary new concept store based in the heart of Islington, London. The store is based on a magazine format, bringing its customers the latest, greatest, newest , best designed and most exclusive product across categories such as fashion, sportswear, modern and vintage furniture, art, boys toys, technology books, magazines and lighting.
Receiving recognition worldwide for his innovative and refreshing approach to retailing, the store has been quoted in The Times newspaper as being the coolest men’s store in the world.

In 2004 he was engaged by the Donna Karan Corporation as Creative Director of DKNY Active Footwear.

2005 saw the opening of the second Microzine store in Liverpool relocated the original Islington store to Little Portland Street in the West End of London.

Over the past twenty years, Chris has held diverse leadership and consulting roles in retail, and brand- building for numerous consumer fashion and sports companies. A natural leader, Chris brings enthusiasm, passion and commitment to excellence in all his ventures.

Daisy de Villeneuve

illustrator

BIO.

London-based illustrator, designer and writer Daisy de Villeneuve has made a name for herself with her funky, felt-tip illustrations. Daisy studied Fashion and Fine Art at Parsons School of Design in both New York and Paris. Her quirky books, 'He Said She Said' and 'I Told You So', for Pocko Editions, featuring her trademark style of felt tip pen and typewriter text are written and illustrated drawing upon her life experiences. Prestigious clients clamour for her highly individual, faux-naif, 80s-retro style: her illustrations have graced everything from shoeboxes to homeware for Topshop, packaging for Moët & Chandon, crockery for Heals and T-shirts for the V&A Museum. Other clients include Vogue, Elle Decoration, Lula, Nylon, Random House in both the US and UK, Nike, Browns Focus and hip Paris boutique Colette. Daisy continues to exhibit worldwide - New York, Japan, Switzerland and Greece, & has had a solo show at the Fashion & Textile Museum in London. Daisy's designs are soon to be seen splashed all over cosmetic bags for Boots this Spring.

www.daisydevilleneuve.com

Q&A.

Q1. What are you looking for when deciding which products to shoot?
A. I illustrate products, the brand has be of interest, something I really like & can connect with.

Q2. What single piece of advice would you give someone who's looking to get their design work out there?
A: You should be original in your design, something that stands out & is individual.

After nearly 50 years of adoption by a huge raft of truly diverse subcultures, what is it about Dr. Martens that keeps people coming back for more?
A: Dr Martens are classic, therefore always remain stylish & cool after all these years.

Erica Blumenthal

Fashion Market Editor, Spin

BIO.

Erica started her career assisting the designer Norma Kamali in her NY production office. After an invaluable apprenticeship she transitioned to editorial as an intern and then the fashion assistant at Interview Magazine, which allowed her to work with top photographers and stylists. This led her to the fashion department at JANE where she covered the UK and contemporary European markets. Now as the fashion market editor and in house stylist at SPIN she covers both the men’s and women’s markets and styles emerging musicians and rock bands.

Q&A.

Q1. What are you looking for when deciding which products to buy/write about/etcM
A: At Spin its all about the music. The clothes and accessories we use when styling bands are reflective of their inherent style and Docs work perfectly because of their deep roots in the music scene.

Q2. What single piece of advice would you give someone who's looking to get there design work out there?
A: Be confident in your designs and aesthetic. Do not conform to fit trends. Your unique point of view will set you apart from the pack.

Q3. After nearly 50 years what it about Dr. Martens that keeps people coming back for more
A: For the fashion crowd it keeps coming back because the young trend setters, punk rock, and goth kids are so loyal. The collection has also grown for the loyalist to keep wanting more- with designer collaborations, bright neon colors, and prints.

Q4: If DMs were a song, what would it be?
A:London Calling!

Q5. If you had unlimited resources (and funds!), what would you do to customize your DMs?
A: I wouldn’t mind having the bright floral prints from the Spring Balenciaga collection used for a pair of Docs.

Jen Ford

Fashion News Director, Lucky

BIO.

As the fashion news director at Lucky magazine, New York-based Jen Ford is responsible for predicting future trends at their cusp both on and off the runway, around the world, and making them applicable to their wide American-based audience. An honors graduate of Central Saint Martins prestigious MA Fashion programme, Jen has spent the last 8 years reporting from around the globe—as the associate fashion features editor of Wallpaper magazine, a cool hunter for Selfridges, brand consultant, and a contributor to the Financial Times, New York Times, American Vogue and International Herald Tribune.

Q&A.

Q1: What are you looking for when deciding which products to buy/write about/etc
A: When it comes to the magazine, I’m always looking for things that you won’t find in a press release.

When it comes to new lines or new brands, I’ll often pick out the one item in the collection that in itself, is a trend, rather than doing a simple brand profile. And most of what I cover are things I discover after striking up a random conversation with someone. There’s no formula to news!

The same thing applies to what I buy for myself. I’m never really attracted to the “it” piece of a collection – I like the sleeper pieces; the ones that people tend to ask “ooh, where’s that from?” Half my apartment, for instance, are the pieces at IKEA that look like they cost thousands of dollars. I like the mystique and anonyminity.

Q2. What single piece of advice would you give someone who's looking to get there design work out there?
A: Don’t try and compete for the same rack of retail space that every other designer is going after as well, just because you think it’ll ensure sales. Make what you’re attracted to, excited about, and, with regards to womenswear, makes women look pretty. That’s all we want. But the same applies to anything, really. Most everyone is always trying to beautify their lives.

Do that, and the press and stores will find you. Retailers are always looking for something new they can give their shoppers.

Q3. After nearly 50 years what it about Dr. Martens that keeps people coming back for more
A: Embedded in every pair of shoes, there’s a slight sense that you’re being a bit of a rebel in wearing them. I loved wearing mine back with the girliest of floral dresses back in Junior High (and high school; and college; and now on the weekends....)

Joanna Schlenzka

Stylist

BIO.

Joanna Schlenzka began her career as Fashion Editor at the highly respected magazine Dazed & Confused. During her four years at the magazine she was promoted to the role of Senior Fashion Editor before leaving to pursue a freelance career as a stylist and journalist. Now Senior Contributing Fashion Editor at Dazed, Joanna also holds the role of Contributing Fashion Editor at Another Magazine, enabling her to contribute on a regular basis to several other international titles including Russian Vogue, 10 Magazine, Mixt(e), Commons & Sense and to style for Teen Vogue, US Vogue, and ST magazine.

Among the photographers with whom Joanna has collaborated are Daniel Jackson, Richard Burbridge, Serge Leblon, KT Auleta, Karen Collins, Yelena Yemchuk, Josh Olins, Andreas Larsson, Roger Deckker, and Sandra Freij.

In addition to her editorial work Joanna has styled several commercial projects for Prada, Dr Martens, Virgin, Women's Secret, Camper, Lycra, Gold Council, New Look, Kurt Geiger, PF Flyers, Sony, Ross & Bute, Radisson and Nokia. Additionally Joanna has styled shows for Jasmine di Milo and Todd Lynn.

Among the celebrities that Joanna has worked with are Sofia Coppola, Lily Allen, Rinko Kikuchi, Charlotte Church, Bryce Dallas Howard, Trudie Styler, and Anne Marie Duff.

Joseph Quartana

Owner/Buyer, Seven New York

BIO.

Joseph quartana-b 1975 in nj. Graduated from nyu with high honors in economics and social psychology. Started seven in july 99. Moved the shop to soho in dec 2005. Launched the e-commerce site in march 2005.

Highlights:

Andam Prize, Paris, France 2008-Judge
VIP Invitee for British Fashion Council, London, UK 2007-2008
Noovo Fashion Fesival, Santiago, Spain 2007-Judge
+46 Fashion Festival, Stockholm, Sweden 2007-Judge
Festival Hyeres, Hyeres, France 2005-Judge
Swiss Textiles Prize, Lucerne, Switzerland, 2004, 2005-Judge
Vienna School of Applied Arts, Vienna, Austria, 2005-Judge
La Cambre Fashion Institute, Brussels, Belgium, 2002-Judge
Genart Nomination Committee, New York, NY 2001-2005, 2007-Judge

Q&A.

Q1. Describe the moment you bought your first pair of DMs? Which era were you? Punk, grunge, club kids, goth.....a mixture of two or somewhere in between?!
A: Late 80’s, I was into new wave and industrial music. Particularly Depeche Mode.

Q2. If you had unlimited resources (and funds!), what would you do to customise your DMs?
A: Mirrored chrome.

Q3: Which 3 words would you use to describe DMs?
A: Tough, sexy and comfortable.

Q4: From punk to grunge to club kids, what has been DMs impact on pop culture?
A: They are a symbol of individuality and dis-establishment thinking (at least for me!).

Q5: What is it about DMs that keeps 'em coming back? After nearly 50 years, why do people keep on adopting the brand?
A: They are an icon of individuality.

Q6: If DMs were a person, who would it be?
A: Lou Reed.

Q7:If DMs were a song, what would it be?
A: Join in the chant by Nitzer Ebb.

Steve Sang

Owner/Buyer, Seven New York

Q&A.

Q1: Describe the moment you bought your first pair of DMs? Which era were you?
A: Punk, grunge, club kids, goth.....a mixture of two or somewhere in between?! early high school about 1990 listening to electronic music (industrial/ebm/new wave/new romantic) and into places like danceteria, the pyramid and limelight (batcave monday nights)

Q2: If you had unlimited resources (and funds!), what would you do to customise your DMs?
A: add a holster?

Q3: Which 3 words would you use to describe DMs?
A: steeltoed shin kick

Q4: From punk to grunge to club kids, what has been DMs impact on pop culture?
A: bringing a fashionable millitary inspired influence to footwear that transcends social, artistic, and musical genres... and they're comfy too!

Q5: If DMs were a person, who would it be?
see below

Q6: If DMs were a song, what would it be?
A: Aren't depeche mode's initials DM as well?

Michelle Reneau

Senior Market & Accessories Editor, NYLON

BIO.

Michelle Reneau started her career in the fashion industry at Catherine Malandrino, serving as Special Project Coordinator and Public Relations Assistant for nearly two years before moving into the editorial world at Marie Claire in 2004. Starting as a fashion assistant, Michelle moved on to become Market Editor covering American and UK markets. In July of 2007, Michelle took her talents to Downtown tastemaker NYLON as the Senior Market & Accessories Editor, covering the entire women’s apparel and accessories markets.
Michelle is a graduate of Virginia Tech University earning a Bachelor’s Degree in Fashion Merchandising Managemen

Q&A.

Q1. What are you looking for when deciding which products to buy/write about/et
A: When we choose product to feature in NYLON, there isn't one magic ingredient or component that innately draws us to cover it. It seems today that tastes change three or four times during the course of one season, so the products that thrive have found something that in someway or another represents some portion of timeless design. You find this in several brands, across categorical spectrums, that have captured an essential and timeless design. The newer designers that succeed are usually the ones that can best pay homage to the iconic brand that came before them, just updated for a different generational aesthetic. Of course, some brands do this themselves with minor tweaks or updates.

Q2. What single piece of advice would you give someone who's looking to get there design work out their
A: Again, it's hard to believe there is one secret to give designers that will lend unequivocal success upon their work. But I do believe it's important to have a voice. Just as a writer, director, or painter must find their specific voice and comfort zone within their respective artistic avenues, designers must find what this within their work. This doesn't mean find a niche or a kitschy novelty, those are disposable. This means find an essential and complementary avenue of expression that is representative of your own personal aesthetic. I also think it is important for young designers to invest in a capable public relations firm that will take the time, effort and pressure of self-promotion off of the designer.

Q3. After nearly 50 years what it about Dr. Martens that keeps people coming back for more
A: As mentioned before, I believe Doc Martens is a brand that has a timeless and essential design. They've been able to maintain their iconic design while constantly updating their perceived aesthetic, whether that be through collaborations with other designers or partnerships with musicians. Either way, it allows Doc Martens to be appreciated as a trend setting design original, while simultaneously appearing as fresh to a new generation of individuals who might be ignorant of the history of the brand.

Valerie Phillips

Photographer

BIO.

You should know that she loves horses. And the moon and outer space and all the Apollo missions and man landing on the moon. (If you think that whole thing was a hoax, please keep it to yourself). She also loves making books. Her first, ‘I Want To Be An Astronaut’ was published in 2001. There have been three more since; ‘Look At Me, I’m Lacy’, ‘One More Minute For Courtney, Please’, and ‘Monika Monster, Future First Woman On Mars’.

When she’s not making books, she’s shooting bands for record labels, and images for magazines and advertising clients who want honest pictures of amazing women (sometimes men), clothes and places. If your shoot involves a road trip that would make her incredibly happy.

Valerie was born in Manhattan. Her favourite places are Kansas and Hong Kong. Most of the time she lives in London.

In between shoots, moon and horse worshipping, Valerie is also the co-founder of Cherryvale Skateboard Company, an ongoing art project that acts as a receptacle for stray thoughts and ideas that don't find their way into her regular working schedule.

Her new book, ‘I can’t believe a girl is playing me Metallica’ is out now.

Q&A.

Q1. What are you looking for when deciding which products to shoot?
A: When deciding what products to shoot I try to photograph things that I have an affinity with. For advertising shoots it's mostly clothes and shoes brands that I wear, or an airline I fly, a drink that I like or something I can connect with. For editorial, it's got to have a base in reality. I like shooting brands that don't look out of place in the lives of the people I'm documenting. Even in fashion shoots. I hate things that look fake and contrived.

Q2. What single piece of advice would you give someone who's looking to get their design work out there?
A: My advice to someone looking to get their design work out there is to be original. Don't try to copy what you've already seen done. It sounds obvious, but be yourself and don't dilute your ideas just to satisfy someone else.

Q3. After nearly 50 years of adoption by a huge raft of truly diverse subcultures, what is it about Dr. Martens that keeps people coming back for more?
A: What keeps people coming back for more with DMs is that they are a classic product with no pretensions. There are zillions of colours and patterns to keep you interested if you don't want basic black or oxblood, but they all still feel like they come from the same heritage. They are impossible to break and make me feel grounded to the Earth when I wear mine. The new flouro colours are amazing and make you want to swap and trade with your friends.